The Science, Technology, Engineering, Arts and Math (STEAM) Innovation Lab at the Children’s Museum of NH is now a permanent part of the museum and for the last few weeks has been hosting drop-in events every day. The Lab is designed to provide students, teachers and visiting families with enriching hands-on STEAM learning experiences.
“The response has been wonderful!” shared Jane Bard, President of the Children’s Museum of NH. “We’ve had schools, teachers, and kids of all ages use the STEAM Lab, and with each new interaction, we feel confident that we’ve created a useful and timely resource.” Programs in the STEAM Innovation Lab can be tailored to any group.
Learning Labs are for schools and organized groups and come with themes like “Keeping Current: Circuits” or “Mission to the Moon.” New spring and summer classes and camps for kids are being scheduled now and some of those themes include “Sci Fi Science” and “Learn to Code.” The Children’s Museum educators are gearing up to offer Professional Development opportunities for teachers with workshop themes like “NGSS Crosscutting Standards: What Are They and How Do I Incorporate Them?” The Museum is currently partnering with UNH Cooperative Extension to offer “Inquiry Teaching Methods: Grounding STEM Education Programs in Science Practices” to 17 classroom educators from throughout the region.
Debuting at the Museum’s Earth Day Celebration on April 22 will be a new “Eco Boys and Girls Science Bites” program. CMNH has partnered with Eco Boys and Girls to create a series of 12 hands-on science demonstrations and activities featuring five lovable animated characters, each designed to educate pre-K to third grade children about the Earth, sustainability and our interconnectedness. Ernie Earth preserves the natural world and its ecosystems; Lulu Love demonstrates the importance of loving herself, others and all living things; Patsy Peace resolves conflicts so that humans and other living things can exist in peaceful ways; Ray Recycle shows people ways to reuse, reduce and recycle, and Sammy Sun spreads the word about conservation and protecting natural resources. These programs will be drop-in and free with museum admission. The lessons will also be available on the Museum’s website for free use in classrooms, after school programs or by families at home.
The STEAM Innovation Lab doesn’t get much quiet time because every day the museum is open, there is a scheduled drop-in activity included with admission so that guests of all ages can experience this unique space. Some programs encourage kids and parents to work together to build a prototype of an invention. Other programs lead kids through an engineering challenge to build boats, bridges or towers. Much of the Lab’s focus is on problem-solving and coming up with creative solutions. Other days visitors will be engaged with the Lab’s technology like the 3D printer and the FLoid® Imaging System microscopes provided by Thermo Fisher Scientific, one of the Lab’s legacy sponsors. Check our daily calendar on the Museum’s website: www.childrens-museum.org
In addition to all the daily drop-in programs that are free with museum admission, there are also programs that may cost a little extra to attend, but are perfect opportunities for adults and kids to learn together. Storybook STEAM happens most Fridays 2-2:45pm and is perfect for ages 3.5-5. Kids hear STEAM-related stories, read by a Museum educator, and then work with their adults on a project inspired by the story. Storybook STEAM doesn’t require registration and is $10 per adult/child pair for Members and $12 for adult/child pair for Non-members. There are also adult and child workshops on one Saturday a month called “STEAM Saturday Workshops,” The latest one is this coming Saturday, April 16 from 10:30-11:30am. Kids and adults can create their own Shrinky Dinks Sculptures to take home! On Saturday, May 14 from 10:30-11:30am adults can learn how to code their own video games right along with their kids (ages 8-12)! The cost for workshops like these is $15 per adult/child pair for Members and $20 for Non-members. (Does not include Museum admission.)
To help facilitate these kinds of coding workshops, the Children’s Museum has partnered with local software developer, James Terry, to create the museum’s first app. The “CMNH Game Maker” app has been developed to be used on the STEAM Innovation Lab’s iPads and allows users to switch seamlessly between coding, creating art, debugging, and testing their own video games. “Our goal with CMNH Game Maker is to provide a single tool that lets students (and interested adults) have everything they need to create their first video game,” shared Museum Educator (and James’ daughter) Sarah Terry. The app is currently being Beta tested by enthusiastic museum students throughout the spring. “Sarah and I are learning a lot watching the kids use the App and it’s given us a lot of ideas for new features and ways to make it even more accessible for kids who want to turn their passion for playing video games into the skill to make them," said James.
For more details and a schedule of events in the STEAM Innovation Lab, please visit our website. Thank you to our STEAM Innovation Lab founding sponsors Thermo Fisher Scientific, The Roger R. and Theresa S. Thompson Endowment Fund, Granite State Development Corporation and the Horne Family Foundation.
Anyone Can Grow Food Program at the Children’s Museum of NH
Kids grow like weeds, but you won’t find any weeds growing in the garden at the Children’s Museum of New Hampshire in Dover! You will find lots of young, enthusiastic kid gardeners though, beginning this Saturday, April 16 at 10:15am. Guests of all ages will be working together to plant seeds, watch them grow, and then harvest their hard work all spring and summer.
The “Anyone Can Grow Food” program is led by University of New Hampshire Cooperative Extension Master Gardener Leslie Stevens, owner of Sidewalk Farms, and Xanthi Gray, the Children’s Museum of New Hampshire’s Education Coordinator. Working along with guests of the Museum, they turn nine raised garden beds into a thriving vegetable and herb garden.
The program begins with seed starting on Saturday, April 16 at 10:15am. Participants will learn how to start seeds indoors to get a jump-start on the growing season. Mini seed-starting greenhouses will be built where kids can grow their own Sugar Snap pea seedlings. Kids will learn about how and when to start their seeds indoors and when it’s safe to plant their seedlings outside. Everyone who participates will go home with a pack of seeds to try in their own gardens. And of course, Max the bunny will be on hand for friendly pats.
Summer planting starts a little early at CMNH with two “Anyone Can Grow Food” programs on Saturday, June 4. At 10:15am guests will gather to help plant the vegetable and herb garden and learn how to take care of their own plants. Pet Henrietta the chicken and then go home with a pack of seeds, or stick around for another program at 11:45am when visitors will learn how to create a potato tower! Did you know that if you have 6 hours of sunlight and just a 2-foot circle you can plant potatoes that will grow all summer!
To round out the season, come back for the harvest on Saturday, September 24 at 10:15am. Pick a pumpkin, pull up a carrot and dig a potato out of the gardens as staff gets ready to put them to bed for the winter. Kids will learn about composting bins and why worms are so important to keeping gardens healthy. Families will go home with a pumpkin and produce from the garden.
The Anyone Can Grow Food programs are free with Museum admission, but pre-registration is requested to help ensure enough supplies are available for each family. Please call 603-742-2002 to register for these or any programs at the Children’s Museum of New Hampshire.
It's time to start thinking about summer internships. Read on to hear what this former intern had to say about her internship at the Children's Museum of New Hampshire.
By: Amanda Girard
I remember visiting the Children’s Museum in Portsmouth when I was younger. I remember playing in the Yellow Submarine and the fishing boat and creating works of art in what is now known as the Muse Studio. I had a lot of really great memories there.
That younger version of myself could’ve never imagined that one day I would return here as an intern and spend a summer here. Yet, here I am on both the last day of my internship and my 20th birthday!
I have really enjoyed my time at CMNH and I have successfully completed so many projects that I am proud of. I am going to college for a degree in Professional Writing with a minor in Marketing and I really have combined the two in this internship with the Marketing department.
I had a few projects that spanned the length of my entire internship (From Mid-May to the beginning of August). I wrote biographies for all of the over 50 Makers who will be part of the 2015Dover Mini Maker Faire. I had never even heard of Maker Faire until I started to work here and I think it’s just an amazing idea that will only grow as time goes on. As I was writing the biographies, I would always get excited and wound up wishing that I could be around when it happens, as I will be studying abroad in Dublin at the time. Nevertheless, I am proud that I could be a part of getting people excited for Maker Faire this year!
I also worked for a majority of the summer interviewing office staff, museum educators, and volunteers for “Meet the Staff” blog posts for this blog. I enjoyed this project a lot because I got to meet many of the wonderful staff at the Children’s Museum. Everyone here is so kind and friendly and just a lot of fun! I got to experience what it is like to work in an office setting and I saw first-hand how a group of people with many different talents can come together for a common goal: in this case, to provide an amazing experience for children and their families.
Speaking of children and their families, I got to read what they thought of CMNH firsthand with another one of my ongoing projects. One of the first things that I did in the mornings when I arrived for work was check to see if there were any new visitor surveys. I gathered almost 40 surveys over the course of the summer and compiled them. Some outcomes of this were a tally of visitor’s favorite exhibits (with the Yellow Submarine at the top of the list!) and two blog posts about what the Museum offers to older kids and how our exhibits help toddlers learn through repetition.
Other things that I accomplished during my time here include writing tweets and Facebook posts (some things that I had never really tried before!), covering events like Group Visits and the Teddy Bear Clinic and Picnic, crafting emails, tracking visitor zip codes and writing press releases for Museum events and classes.
So what have I learned from doing all of this? Well, I’ve learned another way that I can use my writing in the future and I’ve learned the basics of marketing and social media outreach. I’ve learned about the amount of research that goes into marketing a company and a brand and I’ve learned that I actually really love doing that research! I have also learned what it’s like to work in an office and how to coordinate and work together to accomplish a goal.
But the biggest thing I think I’ve learned, that I already sort of knew, was that I really like working with children and seeing their reactions of joy and excitement when they see the finished product of something we have all worked so hard to create for them. I think that that is an interest that I would really like to pursue further and I’m not sure where that will lead me. But interning at CMNH this summer solidified that the interest is there and who knows where that will lead me in the future!
I am extremely thankful for the opportunity and experience that I have had at the Children’s Museum of New Hampshire this summer and for every amazing person that I have gotten the chance to meet in the process!
Un MOSAICO de Culturas para ser Exploradas en el Museo del Niño de New Hampshire
Galería 6, el espacio reservado para el arte en el Museo del Niño de New Hampshire, tendrá la apertura de una nueva exhibición el 5 de marzo, y presentará el arte de diversas culturas. MOSAICO: Explorando nuestra comunidad Multicultural, simultáneamente llevará a cabo una celebración especial de la exploración cultural, el sábado 12 de marzo, en donde los asistentes podrán degustar la cocina del Norte de África, disfrutar el baile y la música tradicional de Bután, probar sus destrezas con el pincel en la pintura China y formar parte de un proyecto de arte comunitario.
El arte visto en MOSAICO incluirá fotografías de inmigrantes y refugiados que viven en New Hampshire tomadas del libro Raíces Diferentes, Sueños en Común de Becky Field, el cual salió en el otoño del 2015. El fotógrafo David Hiley, quien viajó a Haití con un grupo del litoral, profesionales médicos voluntarios de NH en coordinación con la Fundación Sanitara de Haití, presentarán las series ‘selfies’ de niños y padres Haitianos. “Me llamo la atención lo que vi entre la desgarradora pobreza y la vitalidad y dignidad de esos niños”, “comentó David”. “Permitiendo capturar la curiosidad y alegría en común que todos los niños tenían por todas partes”. Asimismo serán expuestas fotografías de niños de China, tomadas por el pediatra jubilado Skip Small y se vislumbrará la vida de un niño de Japón capturado por Sayaka y Seth Blewitt. También estarán en muestra muñecas de alrededor del mundo seleccionadas de la colección del Museo.
La celebración especial de MOSAICO, promete ser tan diversa como las culturas presentadas en el arte mismo. El evento se llevará a cabo de 11am-2pm el sábado 12 de marzo en el Museo del Niño de New Hampshire en Dover. Los asistentes que vengan en sus trajes típicos (disfraces de superhéroes y princesas no aplican) pagarán la mitad en su admisión individual. De 10:45 am-a mediodía el chef Patrice Gerard capacitado en Europa, hará una demostración de la cocina del Norte de África y los invitados podrán degustar su tajine vegetariana con cuscús. Becky Field estará accesible para hablar de su proyecto fotográfico y su trabajo de documentación cultural, étnico y la diversidad religiosa en NH. A las 11:30am y 1pm bailarines de Bután harán una demostración de su baile y de su música tradicional en el Estudio Muse. David Hiley caminará alrededor del Museo tomando “selfies” a los invitados que vengan vestidos con sus trajes típicos. Runjuan Huang hará una demostración de la pintura China con pincel y los asistentes podrán también intentar hacerlo o ayudar a crear el proyecto comunitario, el cual, una vez completado será colocado en el exterior de Museo del Niño. La apertura de la celebración de los eventos son gratuitos con su admisión regular del museo.
La exhibición MOSAICO estará a la vista hasta el martes, 13 de mayo y es patrocinada por Optima Bank and Trust, el Consejo Estatal de Artes de New Hampshire y la Fundación Fuller. Además de la exposición de arte y la celebración especial, cada dos semanas los educadores del Museo harán manualidades y actividades culturales de diferentes países en el estudio Muse. Los países, en orden de aparición, incluirán Tanzania, Perú, Haití, Islandia, Japón , Pakistán y Canadá. A Finales de mayo, proyectos y situaciones acerca de los 7 países estarán juntos en exhibición en el Estudio Muse.
By Meredith Lamothe
We’re always excited about literacy here at The Children’s Museum of New Hampshire. Sure, we were thrilled that we were going to celebrate Family Literacy Month this November, but really—we focus on literacy all the time!
We recently hosted a well-attended Jumpstart To Read event; we host Books Alive! events several times a year where costumed characters bring favorite stories to life, and we have weekly Baby Storytimes as part of First Friends Playgroup, where we can teach early literacy skills to the caretakers of our youngest visitors. So a whole month dedicated to literacy? It was a no brainer!
What does family literacy month mean at CMNH?
It means that we’ll have literacy tips posted around that you can peruse as you play. We’ll have multiple activities throughout the week that highlight literacy—and how easy it is to promote and explore at home. We’ve also made up some great handouts, have several guest speakers planned, and will have weekly crafts and games in our Muse Studio—all related to literacy!
We also have our museum. Our museum is a literacy gold mine! Literacy goes so far beyond reading books. Yes, that’s an important part—but literacy, specifically family literacy, is so easy to incorporate into your daily life—or your museum visit!
When you’re playing with your kids in the submarine—make it a story. Does that story have a beginning, middle and end? DING DING DING! LITERACY ALERT! Choose a favorite color when you walk in the museum and then as you play, find that color in each of the exhibits! DING DING DING! Visit the Muse Studio and have your child explain to you the steps they’re taking in making a craft or playing with the magnet table! DING DING DING!
Any conversation, any question, any exploration can easily be made into a rewarding literacy experience. If you have questions, we’re happy to help.
We’re always excited about literacy!
About the Author: Lead Educator Meredith Lamothe has always been a book nerd, library lover and fan of acting out and telling silly stories. She has a blast hosting the Museum’s weekly First Friends Playgroup and has her Master’s Degree in Library and Information Science with a focus in Children’s Programming from Simmons College.
By Sarah Terry
Well, I am thrilled to report that the first session of our inaugural Maker Club at Woodman Park Elementary went wonderfully! It was so much fun, the kids are a blast to work with, and by the end of the hour, we had ten working Artbots bumping their ways around the room! One of our second grade students told her teacher afterwards, “You know, I never thought I would ever make a robot... and then I did!”
We had three-legged ArtBots, four-legged ArtBots, double ArtBots, BotBots (bots without marker legs, of course!), and more! It was quite the buzzy creative party!
And there's only one way for a Maker Club to celebrate this success... by making more stuff!
Our next hands-on project involves one of my favorite ways to combine art and science – photography! I'm probably on the edge of the last generation that remembers using film cameras. I was just getting old enough to learn how to load the film myself when digital cameras became popular and quickly took hold of the market. Digital cameras are fascinating in their own right and have made photography more accessible than ever, but my mother is a photographer and I'll always have a soft spot for film... and the chemistry you can learn by understanding how it works!
There are many types of film that use different chemicals to capture different colors of light, but we're going to be working with cyanotypes!
Cyanotypes, sometimes called sun prints, were invented in 1842 by Sir John Herschel. Does that name sound familiar? Herschel's father William is the man who discovered Uranus! John Herschel continued his father's work in astronomy – he named seven of the moons of Saturn, and four moons of Uranus – but he also made large contributions to the field of photography.
Cyanotypes were originally used to reproduce notes and diagrams (their bright color is where we get the term blueprint from!). The first person to use the process to make photographs was Anna Atkins, an English botanist and friend of John Herschel. She is considered by some to be the first female photographer! She used the process to document different kinds of algae and seaweed, and published a book called (fittingly), Photographs of British Algae: Cyanotype Impressions. Technically, what Atkins created were photograms. Photograms are made by contact printing – she put pieces of algae directly on the paper and exposed it to create her images!
We're going to be making some photograms of our own today!
Now, I bought already-treated cyanotype paper film, but you can actually make the film yourself! This process involves chemicals, so you'd want to make sure you have goggles, gloves, a mask and a well-ventilated area to work in! This article documents the process, and the supplies you'd need.
- Sunprint paper
- Supplies to make your image. Now this could be all kinds of materials – I cut designs out of paper, and used some mesh, but you can use leaves, shells, Legos, anything you think has a cool outline!
- Plexiglass sheet
- Plastic bin
- Vinegar (or lemon juice!)
Now cyanotypes are made through a chemical reaction with UV or ultraviolet light! The chemicals in the paper – ammonium iron (iii) citrate and potassium ferricyanide – react with UV light to create an insoluble blue dye! Then you develop the film in water and a little vinegar, and your print is finished!
To begin, make sure that you are in a room where sunlight can't reach you! You don't want any UV light to touch your print before you're ready. Luckily, indoor lights aren't powerful enough to produce ultraviolet light, so you don't need to work in a darkroom, like you would for ordinary film.
The illustrators from the summer 2015 Gallery 6 exhibition "Of Beauties and Beasts" answered some of our questions about their style of illustrating, from where they get their inspiration and more! The exhibit is on view in the Children's Museum of New Hampshire through Sunday, September 6.
Q. Your beasts from Ten Little Beasties are such great combinations of fangs and fur. Did the process of collage allow for some fun experimenting when creating these creatures?
A. Collage is a very forgiving art form and allows for lots of experimentation in any genre, but beasts are particularly fun! There are no limits to fangs, scales and horns!
Q. In what way have your own favorite childhood books influenced you art today?
A. One of my favorite books from my childhood was a 1932 edition of Robert Lewis Stevenson's A Child's Garden of Verses. I found it in a second hand bookstore when I was about ten years old. Second hand bookstores were favorite places for my family to visit. I was first attracted to the book by the wonderful watercolors by Juanita C. Bennett. She was not as well-known as Jessie Wilcox Smith, but I think her work rivaled that well-know artist.
Q. Your illustrations are done in “digital media” but the results look very traditional. What inspired your style of illustration?
A. I'd like to think my illustration style is still evolving! My earliest influences were Marvel comics and MAD magazine. When I started working professionally, I worked as a freelance commercial illustrator; that required me to be a chameleon, adapting my style to many different clients' needs.
When I made the transition to illustrating for children, I concentrated on traditional media like watercolor, acrylics and color pencil. I started working digitally out of necessity. Many of the projects I was working on required speed and flexibility – a digital illustration is easier to edit than an acrylic painting. My earliest digital work looked "computery," but over time I've learned to work in a manner that looks more traditional. I prefer a more traditional look because it allows me to bring in the texture, layers of color, and lively line that I developed during years of working in traditional media. But doing the work digitally allows me to work more quickly and allows for easier editing.
For most pieces, my process includes both digital and traditional techniques. For example, I might do a pencil sketch, scan it, tweak it on the computer, print it out, add shading and texture to the printout using an ink wash, scan it again, and then add color and additional texture on the computer.
Q. Your art features some truly terrifying “Beasts.” Where do you get inspiration for these monsters?
A: Ever since I was a child, I've had a passion for illustration and storytelling, and love drawing monsters and robots! I am inspired by those countless trips to the library as a child, such books by Roald Dahl, Maurice Sendak, Chris Van Allsburg, Lewis Carroll, comics such as Calvin & Hobbes, Peanuts, Disney Adventures, and from Jim Henson movies and shows like Star Trek, Invader Zim, Futurama, Dr Who, Farscape and Stargate.
Q. Your two styles of illustrating, pen and ink and acrylics, are very different from each other. Do you find that one lends itself better to portraying “beauty” or “beasts”?
A. Nearly ALL of my books were done in pen and ink, and watercolor. A few are PENCIL and watercolor. Every few years, I feel the urge to "paint," to stand at an easel and apply gobs of paint to a canvas or board. Often, this desire to paint, coincides with a book illustration project that lends itself nicely to the medium. Edward and The Pirates, for example or Farm Boy's Year. When this "convergence" happens I get out my box of acrylics and I prepare some boards with a mix of white gesso, and Burnt Umber paint. I don't like to paint on a WHITE surface. It is much too stark for me. I prefer to paint on a mid-range tone, that way I can make SOME things darker and then bring the "lights" forward. When all is ready, I begin.
Unfortunately, a three or four year gap between "painting" projects, leaves me rusty, and unsure so it takes a while to get up to speed. Sometimes, by the time the book is finished, I feel that I'm just beginning to get the hang of it! But deadlines must be met! Of the nearly 200 books that I have illustrated, fewer than ten were done with "paint."
Q. Most of your illustrations in the exhibit seem to focus on the “beauty” around us such as family, tradition, friends and even the underwater scene with the sinister looking shark is beautiful! Are there unexpected challenges when it comes to creating scenes of beauty?
A. Thank you for seeing my art in such perspective. Actually my goal of making art for children is to build connections of love, respect, curiosity and understanding between different cultures, and in large, between each individual person - us. I admit, I appreciate all the beauty around us, and perhaps that's why I naturally express how I see them in my paintings, but that is not the reason I make art. For example, the book Swimming with Sharks came to me when I didn’t understand much about sharks. After I read the manuscript, I upgraded my understanding of the universe, and how much we rely on the balance and health of the earth. I turned to passion to express my new ideal. Because I was afraid of sharks as I grew up, then I turned to respect the shark as an equal member of our living environment as a beautiful creature. When I worked on the illustrations for this project, I related these mixed feelings as I tried to communicate with my audience. If I just to create scenes of beauty, I may not have problems. But the trick is how to use beauty to educate my audience with messages so that they will accept, and that is not an easy task.
Q. For people who have never tried to illustrate a children’s book, it might seem like a simple process. But your work goes through many edits and alterations before being finalized. Do you ever find that the process is tiring or is it all a challenge you’ve come to embrace?
A. I think illustrating a picture book is a sort of marathon. It can be a long, difficult process drawing 32 pages, but the format offers an amazing opportunity to tell a visual story. I start all my books knowing that the first round of sketches will probably change dramatically by the time I start the final color artwork. I really enjoy the process of reworking and refining the imagery. Most of my books go through at least 5 rounds of sketches, some initiated by me, some initiated by the editor and art director. My experience with publishers has varied dramatically from book to book. I've had some publishers that gave me almost no feedback beyond "This looks great!", even when I knew my drawings were still far from adequate. In those cases, I've continued to work on improving the sketches on my own, until I was also happy with the results. My favorite way to work, though, is with editors and art directors who can help me hone the imagery, and who offer up creative and clever ways to improve my sketches and make the book stronger. Occasionally I don't agree with their comments (which can be frustrating) but after a day or two of stewing I can usually begin to see where they're coming from and use their ideas as a spring board to improve the illustrations. Even with criticism I think is way off base can be helpful, because it forces me to define which direction the visual story is going, and defend my choices. If I can't defend them, then the pictures really do need to be reworked! So yes, sometimes the editing process can be tiring, but over the years it's something I've come to embrace. If it leads to a better book, it's worth all the effort!
Q. You have such a fun variety of creatures in your illustrations from The Uncrossable Canyon books. I imagine your sketchbook as being filled with drawing experiments. Is the planning/sketching phase the most fun for you or do you prefer working on the final illustration?
A. The planning and sketching phase are really fun to me. For The Uncrossable Canyon series, the author had many fantastic characters written into the story who were fun to design. There were also many other characters that I was able to create myself. There is a lot of brainstorming and experimenting in the process of coming up with characters. For crowd scenes I filled them with some of my favorite animals, including my dog, my favorite monsters and dinosaurs. I even looked at sketchbooks from when I was young and redesigned some of the characters I had created years ago. I have to focus a lot during this phase as I am constantly drawing and revising the characters and also the layout of the final illustration. It’s once I have the drawing down on the final paper that I can start to relax a bit more. When I start to paint, my mind is a little more free and I can listen to music, movies or podcast. So with all this said I would say have no preference as each part of the process is unique and challenging in its own way.
By Amanda Girard, Marketing Intern
“I thought it would be a fun thing for their age,” said Mrs. Weilbrenner, their teacher.
The students definitely thought so. Many of them had visited the Museum before. One girl told me she had been here “like, 40 times!” But for other students, this was their first time experiencing the Children’s Museum. They marveled at the new exhibit outside of the building, Ascent or Descent, laughed as they tried on silly costumes in front of the green screen and launched objects into flight with “Build It, Fly It.”
One thing’s for sure, no one was bored on this field trip.
But focused group visits to the CMNH are not just about exploring the exhibits, though there is plenty of time for that. Part of the group’s time is dedicated to an educational workshop led by Museum educators. The group can pick from fourteen different topics ahead of time to learn about, everything from mask-making to recycling to deep-sea creatures.
Smyth Road Elementary School decided to learn about nocturnal animals from educators Meredith Lamothe and Sarah Terry. The lesson took place in the Deep Sea Classroom, where all sorts of painted sea creatures can be spotted on the walls.
Activities in the lesson included listening to animal sounds and matching them with pictures of nocturnal creatures, learning about animals sense of hearing by concentrating on the sounds around them, and dissecting owl pellets.
The students were especially excited about the owl pellets. Exclaimations of “I got a skull!” and “It’s a hip!” were heard around the room during the activity. They were also given a chart so they could identify the animal bones they had found.
“The kids are always excited because it’s something new and special to them,” Museum educator Meredith Lamothe explained. “Being in school, they are used to having the same teacher and learning setting every day. It’s nice to be able to offer a new and enriching experience that gets students excited about learning.”
In the end, Smyth Road Elementary School left the Museum after a day of learning and a lot of fun!
If you are interested in the Museum’s focused group visits and would like to learn more, please visit this page. To book a visit, please contact Caitlynne Soule at email@example.com or call 603-742-2002.