by Sarah Terry
First things first...
As this is my first blog post for the museum, I thought I'd start with a quick introduction! My name is Sarah, and I'm an educator at CMNH. I've been working here for about three years, and I've done everything from putting on a production of “The Little Red Echidna” (an adaptation of “The Little Red Hen,” of course!) to talking everyone's ears off (children, parents, and staff alike) about NASA's New Horizons mission on Pluto Day! I'm a poet, sci-fi nerd, enthusiastic baker, and can bust out soprano arias in four different languages if asked (I have never been asked...).
I'm also a maker.
But... what exactly is a maker? The museum hosts the Dover Mini Maker Faire, there are makerspaces popping up all around - it's a maker revolution! But what does it mean? Even when I first started hearing that word thrown around, it was obvious that it was about more than just people making stuff (although people making stuff is super cool all by itself!). The Maker movement has taken on its own philosophy – it's about learning, creativity, DIY, technology, curiosity... Want to know how a computer works? Take it apart and look! Want to create a beautiful piece of jewelry? Grab some wire and beads and experiment! But I think perhaps the most important part of the maker movement is this: All these cool things you want to try...you don't have to do them in a vacuum.
The maker movement emphasizes learning through doing, but it also encourages social interaction.
It encourages getting together and figuring something out with your friends, and finding a makerspace where you can learn from experts, or passionate amateurs, or somebody who tried the same thing last week! It's about sharing knowledge, and sparking curiosity – nurturing our innate and insatiable desire for the how and why behind everything.
It's with that philosophy in mind that I started working on CMNH's newest traveling program – our MAKER CLUB! Beginning this fall, we're bringing 4-week sets of after-school activities to schools in the area that focus on all different kinds of creations and the science behind making them. I've been having such an awesome time creating the curriculum that I wanted to share some of the projects we're going to be working on!
Session One of Maker Club is all about electricity!
We'll be playing with circuits and lights and fans and motors, and learning about how electricity moves through them all. We'll also be creating these nifty guys:
This is an ArtBot! It only takes a few simple parts to make one – there are even kits available online that have everything included. But if you want the option to customize all your parts and experiment with different techniques, you might want to buy the pieces separately.
Here's everything I used to make the ArtBot pictured here:
- Plastic cup
- Duct tape
- Electrical tape
- Three markers
- AA battery
- AA battery holder (optional)
- 1.5 – 3V mini motor
- Thin insulated wire with alligator clips
- Lots of paper!
Now, I went through an extra step before I got started and soldered lead wires onto the motor itself, but you can also just get wires with clips and clip them right onto the motor. But I really wanted to learn how to solder! It's neat!
Now how can you change the movement of your ArtBot? The ArtBot moves because the spinning cork puts it slightly off-balance and starts to shake it around. You can see in some of the video that I added aluminum foil to the cork to change the balance. How else can you change the balance? Could you add more markers? Move the battery or the motor? Check it out for yourself!
Bonus pictures of soldering!
Soldering is the process of joining together two or more metal items by melting and flowing a filler metal (called solder) between them! It involves high temperatures and molten metal, but it is actually pretty easy to do (at least to do poorly – my joints work but aren't exactly pretty!). Consider buying a soldering iron, and trying it out for yourself. There are a ton of instructions online, or you could check out a local maker group like Port City Makerspace in Portsmouth, NH, and see what resources they have available!
Want to learn a little more about electricity? Check out this information sheet from our Maker Club!
Name: Paula Rais
Title: Vice President of Development and Community Engagement
How Long She Has Been at CMNH: Almost 14 years (since September 2002)
What is the most fun part of your job?
The most fun part of my job is watching the families enjoy the museum and getting to know them. I love to hear stories of how the Museum has impacted people’s lives.
What is something that people might not know about you?
I make my own cards for my family but I am a really bad artist so they are hysterical. I mostly just draw stick figures and my family gets a kick out of them!
What is your favorite exhibit at CMNH and why?
My favorite exhibit is Cocheco Industry because I really like the historical part of it.
Name: Jane Bard
Title: President and Education Director
How Long She Has Been at CMNH: 20 years!
What is the most fun part of your job?
My favorite part of my job is to come up with creative solutions and work with a team of people to come up with new experiences for families and children.
What is something that people may not know about you?
I guess people wouldn’t know that I used to be a teacher before I came to work at the Children’s Museum. I taught in a multi-grade 3rd and 4th grade classroom for two years. For something fun, a hobby of mine is that I love helping people plan their vacations and travel plans.
What is your favorite exhibit at CMNH and why?
My favorite exhibit is Primary Place because I love seeing new parents or first-time visitor’s excitement and joy in interacting with their children in that space.
The Children’s Museum of New Hampshire has been awarded an $8,000 grant from the Lincoln Financial Foundation to support three educational opportunities for New Hampshire’s struggling schools and underserved students. This grant will allow the Children’s Museum of New Hampshire to offer free school trips to the Museum (Museum InReach or MIR), more Focused Group Visits (FGV) as well as Traveling Focused Group Visits (TFGV) all of which were designed to respond to educators’ requests for more in-depth curriculum-based experiences.
“We recognize that schools and educators are struggling to access curriculum-based experiences for their students,” explained Paula Rais, Vice President of Development and Community Engagement at the Children’s Museum of NH. “We’ve developed these programs to not only help bring the students here to the Museum where they can experience our unique educational exhibits and programs, but also to help bring our knowledge into their classrooms.”
FGV and TFGV are flexible and portable learning experiences for pre-K through 5th grade students that explore art, science, history, ecology and world cultures, all of which align with state and national educational standards. These programs are based in STEAM education, an expansion of STEM learning concepts that integrate the arts into technology, math, engineering and science.
One hundred 1st grade students from McDonough School in Manchester, NH visited the Children’s Museum of NH recently as part of the Museum InReach program. “Thank you for letting us go on a field trip for free,” said Zachary. “My favorite part was the mind ball, kitchen and submarine.” The response from teachers has been equally positive. “As teachers, we really appreciate when students are involved and engaged,” said one teacher after her students participated in a Focused Group Visit. “The Physics of Flight program ties in beautifully with our curriculum.”
This fall, the walls of Gallery 6 at the Children’s Museum of NH will take visitors on a visual flight of fancy. The work of twelve regional artists is being shared in a new exhibition titled Flight. This exhibition will be on display from September 19 to December 1, 2015.
Flight gives guests a glimpse into the soaring, gliding, riding-high theme of flying. Whether it’s a bird soaring free, a silvery flying saucer pausing to inspect Earth, or a dive-bombing insect resting before flight, these works of art all tackle the theme with creativity and humor. The exhibition is made possible with the generous support of the NH State Council on the Arts and Optima Bank.
Forty works of art have been selected for the Flight exhibition, ranging from simple abstract forms, to detailed scientific illustrations. These paintings, prints and mixed media pieces are mostly available for purchase and a portion of the proceeds goes directly to supporting the programs at the Children’s Museum of New Hampshire.
Featured artists in this show include: Barbara Albert, Cori Caputo, Gordon Carlisle, Brian Cartier, Judith Cassell, Neva Cole, Larry Elbroch, Tess Feltes, Kate Higley, Taylore Kelly, Sue Pretty and Susan Schwake. The public (adults only please) are invited to join the artists at an opening reception on Tuesday, October 6 from 5:30-7pm.
The Flight exhibition can be viewed in Gallery 6 during regular business hours at the Children’s Museum of New Hampshire: Tuesday – Saturday 10am-5pm and Sunday noon-5pm. No admission fee is required to view the gallery only. Regular admission applies for families who wish to also explore the rest of the museum.
The illustrators from the summer 2015 Gallery 6 exhibition "Of Beauties and Beasts" answered some of our questions about their style of illustrating, from where they get their inspiration and more! The exhibit is on view in the Children's Museum of New Hampshire through Sunday, September 6.
Q. Your beasts from Ten Little Beasties are such great combinations of fangs and fur. Did the process of collage allow for some fun experimenting when creating these creatures?
A. Collage is a very forgiving art form and allows for lots of experimentation in any genre, but beasts are particularly fun! There are no limits to fangs, scales and horns!
Q. In what way have your own favorite childhood books influenced you art today?
A. One of my favorite books from my childhood was a 1932 edition of Robert Lewis Stevenson's A Child's Garden of Verses. I found it in a second hand bookstore when I was about ten years old. Second hand bookstores were favorite places for my family to visit. I was first attracted to the book by the wonderful watercolors by Juanita C. Bennett. She was not as well-known as Jessie Wilcox Smith, but I think her work rivaled that well-know artist.
Q. Your illustrations are done in “digital media” but the results look very traditional. What inspired your style of illustration?
A. I'd like to think my illustration style is still evolving! My earliest influences were Marvel comics and MAD magazine. When I started working professionally, I worked as a freelance commercial illustrator; that required me to be a chameleon, adapting my style to many different clients' needs.
When I made the transition to illustrating for children, I concentrated on traditional media like watercolor, acrylics and color pencil. I started working digitally out of necessity. Many of the projects I was working on required speed and flexibility – a digital illustration is easier to edit than an acrylic painting. My earliest digital work looked "computery," but over time I've learned to work in a manner that looks more traditional. I prefer a more traditional look because it allows me to bring in the texture, layers of color, and lively line that I developed during years of working in traditional media. But doing the work digitally allows me to work more quickly and allows for easier editing.
For most pieces, my process includes both digital and traditional techniques. For example, I might do a pencil sketch, scan it, tweak it on the computer, print it out, add shading and texture to the printout using an ink wash, scan it again, and then add color and additional texture on the computer.
Q. Your art features some truly terrifying “Beasts.” Where do you get inspiration for these monsters?
A: Ever since I was a child, I've had a passion for illustration and storytelling, and love drawing monsters and robots! I am inspired by those countless trips to the library as a child, such books by Roald Dahl, Maurice Sendak, Chris Van Allsburg, Lewis Carroll, comics such as Calvin & Hobbes, Peanuts, Disney Adventures, and from Jim Henson movies and shows like Star Trek, Invader Zim, Futurama, Dr Who, Farscape and Stargate.
Q. Your two styles of illustrating, pen and ink and acrylics, are very different from each other. Do you find that one lends itself better to portraying “beauty” or “beasts”?
A. Nearly ALL of my books were done in pen and ink, and watercolor. A few are PENCIL and watercolor. Every few years, I feel the urge to "paint," to stand at an easel and apply gobs of paint to a canvas or board. Often, this desire to paint, coincides with a book illustration project that lends itself nicely to the medium. Edward and The Pirates, for example or Farm Boy's Year. When this "convergence" happens I get out my box of acrylics and I prepare some boards with a mix of white gesso, and Burnt Umber paint. I don't like to paint on a WHITE surface. It is much too stark for me. I prefer to paint on a mid-range tone, that way I can make SOME things darker and then bring the "lights" forward. When all is ready, I begin.
Unfortunately, a three or four year gap between "painting" projects, leaves me rusty, and unsure so it takes a while to get up to speed. Sometimes, by the time the book is finished, I feel that I'm just beginning to get the hang of it! But deadlines must be met! Of the nearly 200 books that I have illustrated, fewer than ten were done with "paint."
Q. Most of your illustrations in the exhibit seem to focus on the “beauty” around us such as family, tradition, friends and even the underwater scene with the sinister looking shark is beautiful! Are there unexpected challenges when it comes to creating scenes of beauty?
A. Thank you for seeing my art in such perspective. Actually my goal of making art for children is to build connections of love, respect, curiosity and understanding between different cultures, and in large, between each individual person - us. I admit, I appreciate all the beauty around us, and perhaps that's why I naturally express how I see them in my paintings, but that is not the reason I make art. For example, the book Swimming with Sharks came to me when I didn’t understand much about sharks. After I read the manuscript, I upgraded my understanding of the universe, and how much we rely on the balance and health of the earth. I turned to passion to express my new ideal. Because I was afraid of sharks as I grew up, then I turned to respect the shark as an equal member of our living environment as a beautiful creature. When I worked on the illustrations for this project, I related these mixed feelings as I tried to communicate with my audience. If I just to create scenes of beauty, I may not have problems. But the trick is how to use beauty to educate my audience with messages so that they will accept, and that is not an easy task.
Q. For people who have never tried to illustrate a children’s book, it might seem like a simple process. But your work goes through many edits and alterations before being finalized. Do you ever find that the process is tiring or is it all a challenge you’ve come to embrace?
A. I think illustrating a picture book is a sort of marathon. It can be a long, difficult process drawing 32 pages, but the format offers an amazing opportunity to tell a visual story. I start all my books knowing that the first round of sketches will probably change dramatically by the time I start the final color artwork. I really enjoy the process of reworking and refining the imagery. Most of my books go through at least 5 rounds of sketches, some initiated by me, some initiated by the editor and art director. My experience with publishers has varied dramatically from book to book. I've had some publishers that gave me almost no feedback beyond "This looks great!", even when I knew my drawings were still far from adequate. In those cases, I've continued to work on improving the sketches on my own, until I was also happy with the results. My favorite way to work, though, is with editors and art directors who can help me hone the imagery, and who offer up creative and clever ways to improve my sketches and make the book stronger. Occasionally I don't agree with their comments (which can be frustrating) but after a day or two of stewing I can usually begin to see where they're coming from and use their ideas as a spring board to improve the illustrations. Even with criticism I think is way off base can be helpful, because it forces me to define which direction the visual story is going, and defend my choices. If I can't defend them, then the pictures really do need to be reworked! So yes, sometimes the editing process can be tiring, but over the years it's something I've come to embrace. If it leads to a better book, it's worth all the effort!
Q. You have such a fun variety of creatures in your illustrations from The Uncrossable Canyon books. I imagine your sketchbook as being filled with drawing experiments. Is the planning/sketching phase the most fun for you or do you prefer working on the final illustration?
A. The planning and sketching phase are really fun to me. For The Uncrossable Canyon series, the author had many fantastic characters written into the story who were fun to design. There were also many other characters that I was able to create myself. There is a lot of brainstorming and experimenting in the process of coming up with characters. For crowd scenes I filled them with some of my favorite animals, including my dog, my favorite monsters and dinosaurs. I even looked at sketchbooks from when I was young and redesigned some of the characters I had created years ago. I have to focus a lot during this phase as I am constantly drawing and revising the characters and also the layout of the final illustration. It’s once I have the drawing down on the final paper that I can start to relax a bit more. When I start to paint, my mind is a little more free and I can listen to music, movies or podcast. So with all this said I would say have no preference as each part of the process is unique and challenging in its own way.
By Amanda Girard, Marketing Intern
“I thought it would be a fun thing for their age,” said Mrs. Weilbrenner, their teacher.
The students definitely thought so. Many of them had visited the Museum before. One girl told me she had been here “like, 40 times!” But for other students, this was their first time experiencing the Children’s Museum. They marveled at the new exhibit outside of the building, Ascent or Descent, laughed as they tried on silly costumes in front of the green screen and launched objects into flight with “Build It, Fly It.”
One thing’s for sure, no one was bored on this field trip.
But focused group visits to the CMNH are not just about exploring the exhibits, though there is plenty of time for that. Part of the group’s time is dedicated to an educational workshop led by Museum educators. The group can pick from fourteen different topics ahead of time to learn about, everything from mask-making to recycling to deep-sea creatures.
Smyth Road Elementary School decided to learn about nocturnal animals from educators Meredith Lamothe and Sarah Terry. The lesson took place in the Deep Sea Classroom, where all sorts of painted sea creatures can be spotted on the walls.
Activities in the lesson included listening to animal sounds and matching them with pictures of nocturnal creatures, learning about animals sense of hearing by concentrating on the sounds around them, and dissecting owl pellets.
The students were especially excited about the owl pellets. Exclaimations of “I got a skull!” and “It’s a hip!” were heard around the room during the activity. They were also given a chart so they could identify the animal bones they had found.
“The kids are always excited because it’s something new and special to them,” Museum educator Meredith Lamothe explained. “Being in school, they are used to having the same teacher and learning setting every day. It’s nice to be able to offer a new and enriching experience that gets students excited about learning.”
In the end, Smyth Road Elementary School left the Museum after a day of learning and a lot of fun!
If you are interested in the Museum’s focused group visits and would like to learn more, please visit this page. To book a visit, please contact Caitlynne Soule at firstname.lastname@example.org or call 603-742-2002.
"What exactly is a 'Maker Faire'?"
We hear that question a lot when we are out and about, talking up our Dover Mini Maker Faire, coming up on Saturday, August 29. It's a deceptively hard question to answer! I usually say things like "It's a place where people who make things, engineer things, craft things, etc. can come together and show off their creativity."
"...So, there aren't any rides?"
Well, no. There aren't any rides. But we think it's just as fun. So to clear up some of the confusion about what visitors to a Maker Faire can expect, here's a handy list of frequently asked questions and our answers.
Q. What exactly is a Maker Faire?
A. Maker Faire is family-friendly festival of innovation, creativity and resourcefulness, and a celebration of the Maker movement. Part science fair, part county fair, and part something entirely new. Maker Faire is an all-ages gathering of tech enthusiasts, crafters, educators, tinkerers, hobbyists, engineers, science clubs, authors, artists, students and commercial exhibitors. All of these “makers” come to Maker Faire to show what they have made and share what they have learned.
Q. How did Maker Faire get started?
A. The Maker movement sparked at the first Maker Faire back in 2006 in the Bay Area. Since then, sponsorship of Maker Faire events from corporations has helped propelled this grassroots movement eastward like wildfire. The original Maker Faire event was held in San Mateo, CA and in 2012 celebrated its seventh annual show with some 800 makers and 110,000 people in attendance. World Maker Faire New York, the other flagship event, has grown in three years to 500+ makers and 55,000 attendees. Detroit, Kansas City, Newcastle (UK), and Tokyo are the home of “featured” Maker Faires (200+ makers).
Q. Why is it called Dover MINI Maker Faire?
A. Across the United States and the world, community-driven, independently organized Mini Maker Faires are now being produced. Dover Mini Maker Faire is independently organized and operated under license from Maker Media, Inc., and is the FIRST Mini Maker Faire in the state of New Hampshire.
Q. Are there rides?
A. No. There aren't any rides like you would see at a regular town fair. BUT, there are a ton of hands on activities and opportunities to explore new things. In addition to all the great Maker tables and demos, we'll be offering an opportunity to help us build a giant Jenga and there will be a grand finale involving coke and mentos "explosions!"
Q. So what exactly will I see at the Faire?
A. You will see lots of tables and booths outside in Henry Law Park with people displaying and demonstrating their creative talents. If you want to learn more about the individual vendors, we've compiled a great list of them over on our makerfairedover.com blog!
Q. How many people can I expect to see there?
A. The first year (2013) we had more than 1,200 people attend (300 of which were kids)!
Q. What does it cost?
A. If you buy tickets online before August 29, tickets cost $10 for anyone over 5 years of age. Kids ages 5 and younger get in for free. You can buy tickets at the door for $12.
Q. Is that all the money I'll spend while at the Faire?
A. If you are just looking around at all the great inventors and trying your hand at the different activities, then yes, that's all you'll spend. There are, however a few vendors who are selling their wares, and of course food will cost you extra. We will also have t-shirts for sale for a reasonable price. But your admission will get you into all areas of the Faire, including the Children's Museum.
Q. I'm a CMNH member. Do I get into the Faire for free?
A. Look for an email from us in early August with a Member discount code.
Q. Will there be food?
A. Yes! We have quite a few vendors who will be selling food.
Q. Can I bring my dog?
A. Yes, you may bring your dog to all outside locations (i.e. Henry Law Park), however with the exception of service animals, dogs are not permitted in the Museum or in One Washington Street Mill. However, for the safety and well being of our four-legged friends, we recommend you leave your pets at home. There will be loud noises, many moveable parts, and large crowds, all of which do not create a safe environment for pets.
Q. Where exactly is the Faire?
A. The Faire takes place in and around the Children's Museum, Henry Law Park, and One Washington Street Mill, which is directly behind the Museum.
Q. Is there parking?
A. Yes! Weekend parking is free throughout the city of Dover, but we suggest:
- Henry Law Avenue in front of the museum
- the River Street lot- Drive past the museum along Washington Street, veer onto Waters Street, then cross the bridge to River Street.
- The Orchard Street lot near the Post Office (accessed via Central Avenue or Chestnut Street)
- The Amtrak lot on Chestnut & Third Streets
- The Third Street lot next to Holy Rosary Credit Union
- The Portland Street lot
- The Library lot on Locust Street (across from the Police Station)
Q. What about handicap parking?
A. There are a few handicap parking spots on Washington Street right next to the museum, as well as in the TD Bank lot across the street.
If you find yourself saying "I have a question and I don't see the answer here," then feel free to email us at email@example.com and we'll do our best to clear things up for you. We hope you can make it to Maker Faire this year!